Australian composer Katy Abbott, percussion music

Percussion

Percussion works by Katy Abbott: solo percussion pieces, a percussion quartet, and works for percussion with cello. Solo snare drum, solo hi-hit pieces alongside a work for vibraphone and cello, for tertiary and professional players. Scores and parts are linked with each piece.

Solo and Ensemble Percussion

Whirl

(2023)

Solo Snare Drum
Duration: 5 minutes

Commissioned by Melbourne Symphony Orchestra for the 2023 Snare Drum Award

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Available on this site

‘Taking Chances’ from Hidden Thoughts I: Do I Matter?

(2017)

Solo Percussion (2 hi-hats + crotales)
Duration: 2 minutes

This work, for solo player (2 hi-hats + crotales) is the opening movement of Hidden Thoughts I: Do I Matter?, winner of the 2019 Paul Lowin Prize for Composition (song-cycle).

The movement aims to be a palette cleanser for the audience as they settle in to the one-hour performance comprising of hidden thoughts.

Also available as a percussion quartet work (arr Eric Wilie, USA).

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Available on this site

‘Taking Chances’ from Hidden Thoughts: Do I Matter?

(2017/arr. 2020, Eric Wilie)

Percussion Quartet
Duration: 2 minutes

Premiered at PASIC 2021: Percussion Arts Society International Convention, Indianapolis.

This work, originally for solo player (2 hi-hats + crotales) is the opening movement of Hidden Thoughts: Do I Matter?, winner of the 2019 Paul Lowin Prize for Composition.

This arrangement could act as a ‘palette cleanser’ being fresh and short, yet is also a vibrant and energetic concert opener/closer.

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Australian Music Centre

Recorded and arranged by UNC Greensboro (Eric Willie, Director).

Percussion and Cello

re-echo

Re-Echo

(2015)

Vibraphone + Cello
Duration: 5 minutes

FEATURED WORK

FEATURED WORK

Composed and arranged for Claire Edwardes (pc) and Julian Smiles (cello).

Kammerbox

It also appears as a recording on Kammerbox (ABC Classics)

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Available on this site


Interview with Katy Abbott on Re-Echo being chosen as one of three Australian pieces to be presented to the 2016 International Rostrum of Composers in Wroclaw, Poland.


Performance of Re-Echo by Claire Edwardes (vibraphone) and Blair Harris (cello)

The Empty Quarter

(2008)

Percussion Duo + Cello
Duration: 15 minutes
Commissioned by Collision Theory.

Sunburnt Aftertones

Appears on Sunburnt Aftertones: The Chamber Music of Katy Abbott.

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Excerpt of The Empty Quarter